top of page
This is another superb example of a pre-serial number Matsumoku built Strat clone - it features the slightly more substantial neck profile than the later Fujigen and Aria products. This is a 1973, so has that sublime Harayama laminate construction neck.
This one arrived in decent condition but had worn its frets beyond the absolute limit. It has now been re-fretted with Jescar 55090 (similar to a vintage Gibson feel), and so favoured by guitarists in the 1970s who had worn their skinny vintage Fender frets down.
The body has been sensitively modified to accept a modern pick-up, and now has a set of custom wound Clausens fitted with a new 5-way switch and potentiometers. The neck and bridge pick-ups are tapped units have 2 outputs selected by an S-1 switch on the master volume control. This offers everything from Gilmour to Trout and more beyond. Keeping the pick-ups in lower output mode calms the tone down if a super clean sound is desired, and switching to the higher output gets the very best out of a valve amp. It's all there, but most importantly we think, there is enough aggression and power in that bridge pick-up to get a nod of respect from the guy with the Les Paul. The in between settings are very wide and scooped - Knopfler to funk catered for. Engaging the higher output mode will give you more presence in the parallel settings. In the middle you can slip on a bottleneck and be Bonnie Raitt. A Master Tone control tames the higher frequencies with a SoZo PIO capacitor.


The lower Tone control is a blender function to fade in the neck pick-up when the bridge pick-up, or middle and bridge pick-ups in parallel are in play; and which fades in the bridge pick-up when in the neck pick-up, or middle and neck pick-ups in parallel are in play. When in the higher output mode, the tone of the neck and bridge pick-ups together reminds us of the middle position on a Tele Deluxe.
There are so many tones to get hold of with this configuration, and while the controls will require a little familiarization to seasoned Strat players, we wouldn’t change anything unless it offered an improvement. Once you are familiar with this control layout, this guitar adopts the character of a Swiss Army Knife. And all with the traditional look.
A very classy scratchplate completes the look of this guitar.
It tips the scales at 3.74kg (8lbs 4oz).
Details

The Look
You'll need a shirt to match this one

Headstock
The infamous Gneco logo to mark you out as an early adopter. Brand new Gotoh SD-91 tuners

Neck
Oval C - slightly more substantial than a MIJ Fender. New 55090 frets on a Harayama neck. Best of all worlds

Pick-ups
3 x Clausen Custom (neck and bridge tapped).

Bridge
A brand new Gotoh NS510T - our very favourite tremolo bridge for these old Grecos.

Controls
Master volume (S-1 for output selector), Master Tone and Blender. 5-way CRL selector
Gallery
bottom of page