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< Back Greco SE-600N F782908 By 1978, Fujigen was setting the bar for a quality Strat and as CBS accountants were sucking the soul out of Fender, Fujigen was on the up and up. Controversial opinions are that in these years, MIJ was the better guitar - at least more consistent in quality; and certainly more affordable. The Japanese market was still going nuts for demand, and Fujigen capacity was largely being soaked up by domestic demand which is why Grecos were a rare sight outside Japan. The SE-600 was a tribute to the early 70s, whereas the SE-700 harked back to the mid 60s and the SE-800 looked a decade further back. The 500? Well, that was for folk who just wanted a great Strat. It is true that we are missing a bullet rod (the 450 and Super-Real 700s would give you that), but everything else screams 1973, and California Jam. Eagle eyed catalogue experts will equip the 600s with PU-100 pick-ups, but by 1978, Excel PU-119 pick-ups were appearing more and more often in the mid-range guitars - this 600 has a set of sublime PU-119s. A bit more output, and a lot more in the lower frequencies that often cause the comparison with Texas Specials. A Slim C neck profile feels very comfortable, and 45 years of playing have given this a worn-in and familiar comfort - the handshake is fantastic. Impossible to pick up without a few minutes playing - even if no plugged in. As with all the premium models, there is a very solid steel block on the tremolo, that when set to float a little, will ring and resonate beautifully. This is carried through to an amplified signal - the sustain is just right for all types of tone - those resonant high frequencies can be muted with the tone controls if a jazzy tone is called for. It's got plenty of scars - nothing remotely horrendous - just adding to the character of this fine guitar. That angry looking crack on the end of the headstock has been checked out, we have photos of the integrity of the headstock - quite often, cracks in the lacquer look a lot worse than they are on the natural finishes. You can say it was when you attacked a pedestal camera! We'd be happy to send this off to a new owner just as it is, but it could be the perfect guitar for an upgrade project - we can be even more 1970s and put some Jescar 55090 frets on; put a Gotoh 510 tremolo on it; whilst the Excels are dreamy pick-ups, we could put something either hotter, more versatile, or anything you wish in there - a glorious stage-worn natural Strat is the ideal back-drop for anything. Contact us to discuss the options and the resulting price. Price £895 Availability 1 at Ketteringham Hall Recommendation I don't believe he smashed the Natural Strat... Buy as Is Buy to Upgrade Specifications Year 1978 Pick-ups PU-119 Selector 3-Way Bridge Original Vintage Tremolo Board Maple Weight 3.70kg; 8lbs 4oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 07:36 Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29

< Back Moog Taurus I T 2071 This marvellous bit of the 1970s gave the guitarist / bassist the opportunity to be Rick Wakeman for a while. This is where it all really started - the first set of bass synth pedals that the professionals really took seriously. Is it as loud as the professionals claimed it to be? Absolutely. It makes the Hall shake - we have had complaints about it from people living in different buildings. In the environments it was designed for, you feel it, then hear it. Yet it DI's straight into the Focusrite, or through the Fishman Soundbox mini and that big arena feeling is right there in the headphones without any tinkering. The Octave button allows you to double the pedal count, and a quick well rehearsed manoeuvre will actually unleash 4 octaves for your feet. Even plugged into a simple transistor amp, this will produce the arena shaking bass - it delivers a real feeling of power even at low decibel counts. These don't regularly come up for sale - often they have lost their control panel surround which is exposes the guts to too much of the outside world of a gig. This example is far from mint, but has not lost any pedals, knobs, or vital components. As with most surviving examples, it has a wonky power cable grommet, but this is still holding firm and doesn't affect its functionality. The LED for the Variable switch has given up, and we have decided not to violate the main PCB to replace this. Other than that, the unit functions as it should. If I were to really nit-pick, just the Oscillator B Frequency slider sometimes needs a little gentle persuasion to fire up its pitch, but it ultimately never fails to do so. It's big, it's basic, it's heavy and it's expensive. But worth it for the vanishingly rare opportunity to make and be seen making, these sounds for real. The previous owner hauled it around in an adapted golf bag, but admits it hasn't been used in anger since the late 1980s. It's 13kg by itself - a typical case will probably nearly double that. This one does not come with a flight case, so ideally, we will carry it down the stairs and place it into your car, but if shipping is required, we had better talk about the options which would include a £375 Swan-Flight Taurus case in yellow. Price £4,000 Availability 1 at Ketteringham Hall Recommendation Worry any nearby seismographs. Buy as Is Buy to Upgrade Specifications Year 1978 Pick-ups N/A Selector N/A Bridge N/A Board N/A Weight 13.0 kg Modifications N/A ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back Aria Pro-II ST-400 K770468 To think this was an entry model to the Stagecaster range is to understand why so many guitarists stuck with the brand and gradually upgraded to the upper end. A lovely full C profile neck, so almost impossible to put down, and never failing to bring the best out of your capabilities wherever on the scale they may be. Still featuring its tremolo cover and original arm, this guitar looks and feels almost new. There are 2 parking dents along the underside - other than that, there are new instruments hanging in Music Stores with more signs of life. The SP-II single coils are characterful; some may say this guitar deserves an upgrade, but have a listen to the video and maybe these are good enough. SP-II and their PU-100 equivalents are actually pretty damn nice sounding pick-ups - Maxons have a firm following - after a modern Strat at this price point, these will feel like upgraded already. Price FLASH SALE! Click Buy button to reveal latest price. Availability 1 only at Ketteringham Hall Recommendation See how good entry level instruments were back then Buy as Is Buy to Upgrade Specifications Year 1977 Pick-ups SP-II Selector 3-way Bridge Vintage tremolo Board Maple Weight 3.66kg; 8lbs 1oz Modifications String Tree (Gotoh) ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back 1973 Fujigen Greco EG420 No.3 Pre-serial Number Model Another fine example of a very rare1973 Greco EG-420 is now available at Matsumoku. The 420 retains the dimensions and playing character of the 360, but these 420 models have the benefit of the involvement of Narumo san, who knew a thing or two about the real things. The Maxon pick-ups are controlled through the original pots (250!) and have none of the scratchiness of many 50 year old examples. These 420s were produced in the Fujigen factory and there are plenty of folk who have the opinion that the quality control operatives overseeing these guitars were more diligent than those working at Gibson at the time. These are not pure faithful Les Paul copies - those didn't appear until 1975, but these earlier ones are still lovely to play and have character of their own. E to E on the saddles is 50mm, the nut is 41mm instead of the 43mm you may expect. The 12" radius will seem familiar, the bolt on neck may not. The original saddles and tail piece have succumbed to the effects of time, and are no longer shiny and new. We can replace these with equivalent Gotoh units if this is an issue. There are some very obvious age-ralted marks on the top by the saddle and tailpiece - this is pure wear and tear - not a Bigsby scar! It has put its knees through its jeans but remains extremely solid and healthy underneath. Just contact us via the website to discuss any modifications you might like. The original tuners function very well and the guitar generally has that run-in vintage feel, and significant signs of being 50 years old. I bet a ECL/CMI '72 out of Kalamazoo would be well over 3k now. Ironically a new one with this relic finish would be even more expensive. We have given it a thorough service, careful nut and bolt rebuild, and a fresh set of strings and now it's ready for anther 50 years. You don't have one of these instead of a Gibson, you have one on the way up to one, or next to one in the rack. Price £585 Availability Sold Recommendation Enjoy as it is Buy as Is Buy to Upgrade Specifications Year 1973 Pick-ups 2 x Maxon Selector 3 way Bridge ToM style Board Rosewood Weight 3.56kg; 7lbs 14oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back 1974 Greco SE-500 Pre-serial number model This is very late Gneco - the clarity of the spelling increased very soon after this was made. This mid-range model of Greco was a popular work-horse instrument and many arrive here with an amazing road worn patina, but still perfectly functional. This SE-500 has led a fairly charmed life - only a few signs of life on the finish, and the tobacco stained pick-up covers give away its age. The original Maxon pick-ups are in rude health - providing that slightly scooped yet biting tone - they sound amazing with a little crunch. As with all vintage guitars in original states, the potting may have deteriorated. We know that repotting these pick-ups will bring back some warmth - that is an option for the next owner; but until that decision is made, they stay as they are. They don't squeal, and we tried singing through them, but to no avail. Have a listen to how it sounds through a few of our amps here: By this time, Matsumoku was fitting a more accurate version of the vintage style tremolo , and producing them at 25.5" scale unlike many of the earlier versions which are slightly shorter in scale and have the earlier bridge design. Whilst this guitar is in fantastic original condition, we feel this guitar could be an ideal donor for a DreamBuild upgrade project - several previous projects have used a 74 SE-500 as a donor Price £695 Availability Sold Recommendation Great as it is but also perfect donor for DreamBuild Buy as Is Buy to Upgrade Specifications Year 1974 Pick-ups Maxon Selector 3-way Bridge Original Vintage Board Maple Weight 3.71kg; 8lbs 3oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back 1975 Gallan (Tokai) Custom Pre-serial Number Model Let's get the obvious out of the way first: this is not a mahogany Tokai LC100, it is an entry level Les Paul copy distributed by Kyowa-Shokai and sold alongside Camel, Fresher and a few other brands exclusive to various music stores around the world. Gallan were the premium offering and exported to, we believe, Herb George's music store on 48th Street, Manhattan . They are plywood (but good plywood!) construction and chambered - like the Moridaira versions (which were expensive). It is a set neck - NOT a bolt-on. It has very decent sounding pick-ups; and it's been a busy guitar. Why do we say Tokai? Kyowa had guitars built in virtually all of the plants in Matsumoto - Camel were Chushin, Fresher were un-named plants, and Gallan was Tokai. Everyone built for everyone in the heady days of Japanese guitar production in the 1970s. If you're still reading, plywood doesn't put you off, so let's explore further: The first impression made by this guitar when picked up and strummed is of a high end Epiphone. It has a 'proper' neck - a nice handful without being too much. It is balanced, nicely worn high or low, and feels like a more expensive guitar. The binding is cracked and nicotine stained, but not falling off, or showing signs of falling off. There is a small crack on the rear of the headstock, but this has not been decapitated and sewn back together again. It feels solid, and that ply gives it a nice acoustic snap before you plug it in. The only non-original parts on this Gallan are the electrics. The pots had been replaced a long while ago with terrible Alpha minis, and I decided to rip it all out and give it a new loom and controls. The switch is original and is missing its tip - why do we like it like that? I don't know, but if this is a dealbreaker, give us a day's notice and I'll pop a Switchcraft in there. We now have 3 CTS 500k pots and a CTS push pull to throw the bridge pick-up out of phase. Great for that Jimmy Page / Peter Green number. New Witch's Hat knobs and a set of strings complete the refurbishment of this guitar. You don't have one of these instead of a Gibson, you have one on the way up to one, or next to one in the rack. It is a damn fine alternative to a drop-shipped Epiphone though. Gig it without worrying, no need to worry at all about it - it was made to be played - all the issues that plague vintage guitars for reliability are fixed and this will serve you well. Epiphones may be new, freshly built in China, click-bought and delivered the next day, but they won't feel like this - all of the luthiers here have had this on their benches and it is now what you'd call stage-ready. Price £545 Availability Sold Recommendation Enjoy as it is Buy as Is Buy to Upgrade Specifications Year 1975 Pick-ups 2 x Maxon Selector 3 way Bridge ToM style Board Rosewood Weight 4.04kg; 8lbs 15oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back Matsumoku Ibi JKL No.1 Price £2,750 GBP Add to Cart Chat with Us The whole idea of DreamBuilds started here. I am fortunate enough to be very good friends with a fascinating professional musician who has an incredible imagination and passion for guitars. I recall the initial conversation: "I'm into short scale - like a Junior, but better. Like that Swinger I had ages ago, but not that short. Like a Mustang but not an offset. But different. And make it sound amazing. Do a couple because I'm putting thick strings on one of them. Let's go nuts on these." A fair few accomplished players spot one of the Concords that I keep here, they pick it up and reminisce. "Wish I still had mine" is often heard. OK, let's see how good they can be. After some careful routing, two 1953 Häussel P-90 pick-ups were fitted with a dummy coil hiding between them. A 5-way switch and a push-push tone pot engage the pick-ups to get traditional and more interesting tones. A set of light gauge acoustic guitar strings complete the unusual specification. Gotoh locking SGS510 machine heads are the perfect size and feel for this "shorty" and the sustain and intonation is enhanced by the remarkable FX6 bridge. This is a very purposeful build - it delivers a very specific set of tones, some ideal clean and some especially good and useful when amps are driven. It's a guitar that had a nuts brief, a nuts approach to specification, a nuts donor instrument and the result is perfectly nuts. This is a guitar built with fun in mind. It will likely take your playing and imagination in very different directions. The guitar in the pictures is still in regular studio use, but can be found here at the Hall between shifts. Any scratchplate wearing Westone / Vantage / other Matsumoku built guitar from the era can be recreated like this. Is this one for sale? Sure, as long as I build another one quickly! This one comes with decent provenance. Details The Look This guitar retains the original finish complete with 40 years of parking knocks. The same shape scratchplate is used, but cut to accommodate the new electronics. The output jack has made its way to the bottom edge. The headstock is now black Headstock The tuners are upgraded to Gotoh SGS510 in black - the highest quality locking tuners suiting the look and feel of the guitar, and allowing fast string changes. Neck This is the original neck with the original skinny frets - just tidied up. Pick-ups 2 x 1953 Häussel P-90 with Häussel dummy coil. The 1953 is slightly underwound and the lightness and brightness suits this application perfectly Bridge A Gotoh FX6 in Chrome gives this guitar stability, great intonation and more sustain than the original. Controls the 3 way toggle vol/tone arrangement has been entirely replaced with a 5 way blade, full size 250k volume and tone pots; the latter being a push push arrangement to put the dummy coil in series or parallel with the P-90 in positions 2 and 4. Gallery ← Previous Next→

< Back Arnold Phoenix Electro Acoustic 2020 No Number This is a very rare chance to sample the delights of an Alan Arnold acoustic guitar. Made in very small numbers by an internationally renowned luthier, Alan Arnold, this special Phoenix model is one of the finest he has ever built. This is one a handful he built with the Indian Rosewood body which gives it a lot of presence - all the Phoenix' are loud, but this has an incredible volume acoustically. The bass response is remarkable, but the one property that springs out immediately is the responsiveness. It can whisper, it can know its place in a line-up, but also bang out an amazing solo - your fingers really decide. This is the same plugged in - this is equipped with a Headway pick-up. Only the best for Alan. Tuners are Gotoh 510 in gold. The guitar suits a soloist perfectly - the neck is perfectly shaped for upper fret work. We have this guitar at the Hall now, and it will reside here until the next owner collects, or we ship it out. The guitar comes in a sturdy case and we would pack it with utmost care, and unless the buyer wishes otherwise, use an insured service. Price £4,195 Availability Sold Recommendation Buy as Is Buy to Upgrade Specifications Year 2020 Pick-ups Headway Selector N/A Bridge Ebony Board Ebony Weight N/A Modifications None ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back Matsumoku Monaco H79 Price £2,395 GBP | SOLD Add to Cart Chat with Us Missed out on this model? Talk to us for a rebuild! The Monaco H79 is a re-finished and re-imagined 1978 Greco SE-800 - the top of the range instrument of the day, and a tribute to the 54 Strat. During this time Fujigen were trying so hard to court Fender and this was how they did it. Refinished, but not polished, in yellow nitrocellulose, a little of the grain makes itself known, the rest of this guitar is a nod to the International Series Monaco. The original International series had the big headstock, the bullet truss rod; as did the MIJ re-issues and so does the current reissue (did I start a trend?). Our Monaco tribute has the small headstock and the C profile neck. Instead of Vintage Fender pick-ups, I decided to explore the delights of D Allen pick-ups and ordered a set of Echoes for this. These are not a simple copy of the Seymour Duncan SSLs - they are essentially his celebrated 69 VooDooBlues set but with an extra gear on the bridge. The volume knob sports an S-1 switch which will bring in the additional winding (7.6k to 12.5k). Coil taps on Strats offer a very useable alternative to resorting to a humbucker installation with coil split. This is also a lot less complex and convenient than adding a boost facility via pre-amp and 9V. It retains the fundamental soul of a Strat, and doesn't give you the hassle of massive volume changes between settings. The S-1 really lets you make the change quickly and precisely - Comfortably Numb has never been more convenient! We have given this a Master Volume, Master Tone arrangement and assigned the lower tone control to neck blend function via a CTS 250NL potentiometer. It provides that wider in between sound - not exactly a Tele, but offers you a huge variety and finely adjustable tones. Clean and driven, this is a very versatile guitar. You may not have heard of D Allen pick-ups, but plenty of professional session musicians have. The bridge is a new Gotoh GE101 unit - stability and sustain improved, and no messing with the looks. The neck has been re-fretted with Jescar 55090 (Tall Medium). After a couple of years making tributes to the Monaco Strat, Fender must have seen Steffie's amazing photos and wondered why they aren't making these. They always cheer people up, they seem to be impervious to fashion trends, and you are unlikely to lose it on the stage. The difference between a new re-issue at £1,200 and this one at a fair bit more, is essentially due to this one being a genuine 1978 high end Greco at heart, and having very expensive and top quality components. The late 70's and early 80's is commonly considered to be the MIJ golden age for quality. Here is a yellow one with pro-session musician spec and quality. This one is already built and serving as a demonstrator - we can build one to suit individual criteria and specs. We have many fantastic guitars here ready for a transformation and will source the one you want if it isn't already here. Details The Look Vibrant yellow, shiny chrome and black plastic make this a faithful tribute to the original International Series Monaco. Headstock The smaller version of the classic shape therefore timeless. Neck A typical slightly slim C - this is what made the SE-800 Greco so great. Familiar, yet oddly better. New frets. Pick-ups The Echoes set by the legendary D Allen. The bridge is 12.5k with a tap at a more traditional 7.6k. Bridge New vintage style Gotoh GE101 in Chrome. Controls Master volume with S-1 for coil tap, Master Tone (Centralab 0.022) and Neck Blend. All CTS/CRL. Gallery ← Previous Next→

< Back Fernandes TE85-T Signature Models have no serial numbers This beautiful recent arrival with us has blown us away. This model is another one of our Signature Model Fernandes – the TE85-T is a Judy & Mary, specifically, Takuya model – the one without the grafitti. The previous owner tells us this is a 1996 model – there are a couple of parking knocks on the lacquer, but nothing else to give away being 26 years old. It has the familiar active FGI-T pickup system, a single volume and selector switch. No tone control. Like the STJ models we have, this feels like a professional instrument as soon as you pick it up. This is a proper alternative to the established original Tele. Price £895 Availability Sold Recommendation Stage ready professional standard Fender alternative Buy as Is Buy to Upgrade Specifications Year 1996 Pick-ups Fernandes FGI-T Active Selector 3 way Mini-switch Bridge Original Gotoh GTC201-B Board Maple Weight 3.86kg; 8lbs 8oz Modifications None ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back Rose Morris Shaftesbury 4001 No Number From the well known Rose Morris dealer in Shaftesbury Avenue, this old warrior was resident in a studio in Lowestoft and has more than likely had Frankie Poullain's talent pouring out of the stereo jack - no provenance, but the current owner engineered the early Darkness years - this was a parting gift. Gone is the Rickenbacker truss rod cover, as this has never been to Santa Ana - but it is a very well built bass from the Japan years when Rose Morris provided Rickenbackers to those without the budget for one. This is Stereo, which works perfectly, and the neck is like most Japanese constructions - in better nick than most Rickies from the period. Looks like one, feels like one, plays like one, sounds pretty close to one, and without the price tag of one. A regretful but necessary sale, this is ready to rock (the Rickie rod cover is in the case); and like most Shaftesbury 4001s, the pick-up cover has long gone. These are essentially the same construction as the highly regarded El Maya and Greco RB series from the early and mid 1970s - made on the same production lines but specifically for Rose Morris to sell alongside the real ones. Nice and solid, the electrics are all original and just serviced. Unlike real ones, the pick-up selector switch doesn't crackle; and there is a strong chance that you'll be playing the bass on the two volume controls as you kick out some stereo glory. We include a stereo cable with it. The original case is in poor shape, but still functional - this has been a busy bass guitar and should continue to be so. If you are local, come and sample it, if not we can demo it over a Whatsapp/Facetime call. We can ship it to you fully insured. There is one crack in the scratchplate - from the neck pick-up to the top, but it holds together, and Jack at TinyTone will make a replacement for it without the usual Rickie-taxed price-tag. Price £££ Availability Sold Recommendation 2 amplifiers!!!! Buy as Is Buy to Upgrade Specifications Year early - mid 1970s Pick-ups Nisshin Onpa Selector 3 way Toggle Bridge Rickenbacker style (mute works) Board Rosewood Weight 4.22kg; 9lbs 5 oz Modifications Replacement Truss Rod Cover ← Previous Next→ Latest Videos Play Video Play Video 05:18 Play Video Play Video 03:08 Play Video Play Video 01:43 Play Video Play Video 07:23 Play Video Play Video 06:54 Play Video Play Video 05:47 Play Video Play Video 06:29 Play Video Play Video 04:21

< Back Hofner Club 40 1959 Free Consultation Book Now Neck repair and restoration to original specification What happens when the future inheritor of a rare piece of Bubenreuth history, identical to Lennon's starter guitar, accidentally sits on it? Valiant attempts to piece it together again. Looking right but doing a decent impression of a sitar. In our capable hands, it has now been re-built and restored to its original condition. The guitar received a full neck reset, a new original spec genuine Höfner pick-up and control panel, cosmetic repairs and a sensitive clean. A fresh set of Thomastik-Infeld JS111 flatwounds now have this old girl sounding like it did back in the day. A really lovely heirloom that hopefully won't be sat on again in 15 years time... Gallery ← Previous Next→